Here's A Classic Example Of How
Mike Taylor Has Conned Wanda Seals
from the www.bexarnekkid.com website
check out the
05-02-14 ::: 18:14:47 ::: infomania
Go to the
completely empty single webpage of BEXAR NEKKID MUSIC, it can
be found at http://www.bexarnekkid.com
It looks like Mr. Mooch, Mike Taylor, has really charmed Wanda Seals
with his fraudulent personality, he's got her to pay for this
"front" for his white collar crime activities.
way, using the BLUES in a half baked attempt to put a legitimate face on
FRAUD shows you what we are dealing with here is the absolute PITS of
the so-called San Antonio music scene.)
See the website's
"main pitch", this is Wanda's favorite thing she's ever heard
Mike Taylor say, she thinks he's so clever and funny, "where the SCHIZOPHRENAISSANCE and the TEXADELIC
emerge"... yes, it is clever, and original, the only problem is:
is a word
I made up in 1972, when I first met
Taylor and we started QUARTETT
is a word Claude Morgan
made up when we started the HIX in 1986.
Taylor has passed
himself off to Wanda as a clever wordsmith, but he's just like those
jerks who constantly steal from George
Carlin or Dennis Miller, acting like they made it up the clever wordplay
these guys wrote.
Mike Taylor can't think
up his own original words, he's a fraud acting
out other people's personalities he's known. I'm talking about people
who are actually CREATIVE and FUNNY, people who WRITE
words, people who CREATE music to go with
it. Its the same people Mike Taylor STEALS
everything from, including his fraudulent personality as a wizard of
digital recording and album production.
click this to see most of it
For years, Mike Taylor
used to have my
on the wall of his home studio. look at it Its a
simple list of song titles and ADAT tape locations. I used it daily to
keep track of my recording work. It only represents 5 years of my life,
a drop in the bucket, really.
Mike Taylor used to
have it on his wall so his visitors would look at it and go "Oooo, look at all those recording sessions! This
Taylor guy is the most recordingest guy we've ever seen!"
What he failed to
tell you suckers is he participated on LESS THAN 1% of those recordings
he's acting like he's part of, he wants all you suckers to think he's
been real, real busy making music.
Every CD Taylor ever
worked on was using MY ADAT, and MY computers, this lazy piece of shit
wouldn't even get off his ass and take the back plate off his bass to
see why one of the pickups no longer worked. It turns out there was a
wire disconnected and this lazy SLOTH who
calls himself a "bass player" let it go like that for OVER SEVEN YEARS, most of that time the Alembic
was in the pawn shop.
Finally me and
his girfriend pooled our money and got it out of hock, and I kept
hounding him to play it, showing him tapes he gave me of his bass
playing 10 years before, so he finally removed 4 little phillips screws
a wire was loose!
seven years without a neck pickup
Out of over 500 titles on my
ADATlog, look at
it Taylor played bass on THREE songs,
tops. And every single thing he played on was just replacing the bass
parts I already created.
Contrast that with a
REAL bass guitar player, like Val Cronk, or
David Katakalos, or Bassie
Destiny. These guys pump out the bass like its a living,
breathing beast, they play more bass in one setting than Taylor has
played in his whole life.
Taylor is totally
intimidated by the notes, he won't even RISK
picking up that bass unless he has the notes all preplanned and the
moves built up by habit, he knows damn well he'll make a fool out of
himself since he can't tell where the root is FOR
SURE, and as far as negotiating chord changes in real time, FORGET IT.
me a tape" is his favorite line, and
who has worked with him will confirm what I have said.
He can't even play the
simplest country tune and anticipate the chord changes properly. He CAN'T do it, its like there's a wall between him
and the simple notes any beginner can hear.
The whole time I made
music with Mike Taylor, for over 25 years, guess how many times I turned
the mixing board over to him
to mix what was done?
I don't mix in a
completely befuddled state of wondering where I am in the song, I'm not SCARED I might be in the middle of a verse and
not know it. This is why simpletons like Cureton and Taylor love
"automated mixing", I rarely use it, I am constantly ERASING instead of MUTING.
If I don't wanna hear it again, its gone. If I need it back, I simply PLAY IT AGAIN.
This is how Bexar
Nekkid Music wore out ADAT tape deck after ADAT tape deck, bought with
stolen money, trying to use S-VHS tape heads for sample accurate
hard drives. Do you have any idea how retarded that is? We're talking
about a mathematical order of magnitude in excess of 10,000, at the very
Hey, Wanda, did you ever wonder why Taylor and Cureton couldn't deliver the Robert Johnson CD in time for the big Gunter Hotel plaque promo?
Those five decimal
places had everything to do with it. The data on a VHS tape is like a
long stripe, several inches long, coiled around a spinning 2 1/2"
cylinder head, the same data on an interleaved hard disk is MICROSCOPIC, like the cerebellums
of these "recording engineers" who couldn't put a song
together to save their lives.
They are parasites,
totally reliant on REAL MUSICIANS. You may
have noticed them hanging around Edit Point, those are the schmucks these assholes
always get to
PLAY FOR FREE.
If there is ANY musician out there who has ever actually
gotten PAID by these clowns?
I'd like to know who it is.
up, Cureton, your $300 Flaco Jiminez
FIASCO don't count, you drunken idiot!